Thiago Nassif — Mente
There’s something really beautiful about the destruction of dichotomies. I think most great music straddles that thin line between avant-garde and pop. Great music is often at once both experimental and accessible. Both underground and mainstream. In Mente, Rio de Janeiro’s Thiago Nassef constructs a funk/ jazz/ Tropicália concoction that strikes this balance immaculately.
Mente navigates seamlessly through avant-garde experiments, while also showcasing its pop sensibilities. There’s no wave infused with funk, pop infused with dissonant jazz. Melody + noise. Over its ten-track run, Nassif collaborates with 20 musicians from the Rio underground, chiefly Arto Lindsay, the album’s producer.
This collaboration, to me, is particularly interesting. I first encountered Arto Lindsay on No New York, a 1978 album curated by Brian Eno as a snapshot of the late 70’s New York No Wave scene. He was a member of DNA, one of the scene’s seminal acts. Because of all its collaborations, and its choice of Arto Lindsay as producer, Mente feels like a snapshot of Rio’s underground scene of today, just like No New York was a snapshot of No Wave.
As for the album’s themes, I always find it’s best to let the artist speak to them, so here goes:
It’s a fantastic album, and I can’t recommend it highly enough. The beauty of it is that I have found it remarkable irrespective of time and place. In the bedroom in the afternoon, in the living room at night, in the kitchen in the morning, the album sounds fantastic irrespective.
Get it on Bandcamp, Spotify, Apple Music, or YouTube.
In this piece, I navigate the intricate soundscapes of Pinegrove's Audiotree performance, set against the backdrop of the bustling city and its ubiquitous cafes. My exploration of indie studio sounds, alongside an introspective study of key indie bands, unravels a tale of life, hope, rejection, and the unending rhythm of the urban existence.